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The House of Serenades
appeared in Germany (Lubbe ) in 2009 under a different (horrible) title chosen by the German editor without consulting me. Ouch. A newer version will be released in the US in March of 2012
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Synopsis Warning: it's a spoiler!
Genoa, 1910. The Berillis are a wealthy and powerful upper-class family in love with their social status. Trouble begins when Giuseppe Berilli, the head of the family and the city’s most prominent lawyer, receives two threatening letters, is hit by a horse, and decides to ask the police for help. As Antonio Sobrero, Chief of police, digs into the Berillis’ past, their secrets begin to surface: A dead daughter is not dead, certain birth certificates are false. The tormented love story between Caterina Berilli, the daughter everyone thinks dead, and Ivano Bo, the son of a baker with a gift for music, is one of the catalysts for the events. The other is the greed of a respected citizen who sells children and kills in order to keep climbing the social ladder of the town. In the end, as one by one the Berillis violently or gently disappear, what survives them and stem from their ruins is the music Ivano continues to play on his mandolin under the windows of Caterina's house. As he refuses to give up the woman he loves, she refuses to see him, convinced that he is responsible for the destruction of her family and that nothing can possibly restore her love for him. She underestimates, however, the power of music. One night, dazed by the notes of the mandolin and by Ivano’s beautiful voice, she walks up to him. The moment he sees her, he sings his secret song, a piece he composed especially for her and no one ever heard before.
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The stories behind the story: Interview with Lina Simoni Q: Why did you write "The House of Serenades"? A: To denounce the abuse and repression of women (daughters, wives) in the Italian upper class of the 19th-20th centuries.
Q: Where did you find the inspiration for your characters? A: During my life in Genoa I met a number of interesting men/women that are typical of that city in terms of mentality, attitude, and personality. Some of them made good inspirations for the characters in "The House of Serenades."No character, of course, refers to anyone in particular.
Q: Are any parts of the plot or characters autobiographical? A: No.
Q: What is the relationship between "The House of Serenades" and "The Scent of Rosa's Oil"? A: Historically, Genoa always had a strong upper class, a strong working class (with the port and its major role in the Italian economy and history), and an insignificant middle class. "The Scent of Rosa's Oil" is set by the port and showcases a population of prostitutes, thugs, port workers. "The House of Serenades" is set in the hills, in the world of the upper class. The combination of the two novels gives the reader a view of life in Genoa from two very different perspectives that represent the main social forces in the city history. In "The House of Serenades" the clash between classes is brought about by the secret love between Caterina, a sheltered wealthy girl, and Ivano, a baker. In The House of Serenades the reader will find cameo appearances of a few characters from "The Scent of Rosa's Oil."
Q: Will you be writing more novels set in Genoa? A: No. I feel that I said all I wanted to say about the city. The novel I am currently working on is set in Brooklyn. The main character has some ties to Genoa though. I guess I can't stay away from it completely...
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